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Search Advanced Search Search By Coin ID     Home ANCIENT/BYZANTINE Ancient Spain (872) Byzantine (753) MEDIEVAL/EARLY WORLD Germany (30) MODERN WORLD COUNTERFEITS AND IMITATIONS   Submit New Coin(s)   Sponsors page Terms of Service Contact Us About Us FAQ Page Coin Detail Click here to see enlarged image. ID:     778219      [UNVERIFIED] Type:     Greek Region:     LYCIAN DYNASTS Issuer:     Perikles Date Ruled:     Circa 380-360 BC Metal:     Silver Denomination:     Stater Struck / Cast:     struck Date Struck:     BC circa 380-375 Diameter:     23 mm Weight:     9.66 g Die Axis:     3 h Obverse Description:     Laureate and draped bust of Perikles facing slightly left Reverse Legend:     PERIKLE Reverse Description:     "PERIKLE" in Lycian, warrior, nude but for crested Corinthian helmet, in fighting attitude right, holding sword aloft in right hand, shield on left arm; triskeles to lower right; all within shallow incuse square Primary Reference:     Mildenberg, Mithrapata 25 (A15/R20) Reference2:     Podalia 419-25 (A2/P6) Reference3:     Falghera - Reference4:     SNG Cop Supp. 478 (same obv. die); SNG VA 4252 (same obv. die) Photograph Credit:     Classical Numismatic Group Source:     http://www.cngcoins.com/Coin.aspx?CoinID=94589 Grade:     EF, even gray tone with golden hues around the devices, typical minor die wear on obverse Notes:     Remarkable portrait. The portraits on coins in the later Lycian series are among the finest of the Classical period. Among the earliest to attempt depictions of their rulers on coinage, the Lycians' first portraits in the later 5th century BC were innovative, but static, idealized forms lacking individual characterization. Over the next half-century, however, the style progressed significantly toward realism, culminating in the issues of the dynasts Mithrapata and Perikles in the early-mid 4th century BC. The coins of Mithrapata came first, depicting on their reverse the profile portrait of a man with distinctive elderly features. Through the relative chronology established in L. Mildenberg's die study, one can even see the portrait become more aged as time progressed, reflecting the absolute realism that had been captured in these issues. The coins of Perikles, Mithrapata's successor, continues this trend, but also has two innovations that sets them at the pinnacle of Classical art. First, the portrait is moved to the obverse of the coin, emphasizing the importance of the individual. Second, and most prominently, the portrait is not in the traditional profile, but in a dramatic facing state. Obviously influenced by Kimon's facing Arethusa-head coinage at Syracuse, these depict Perikles looking out from the surface of the coin with a serene countenance and his hair flowing around him as if blown by the wind. This depiction captures the essence of the earlier idealized portraits, conveying to the viewer a sense that Perikles was more than a mere man, but retaining the absolute realism in its individualized features. Interestingly, both Mithrapata and Perikles are depicted without any sort of satrapal headgear, which was always included in earlier Lycian portraits, perhaps indicating that they had declared their independance from the Persians. Unfortunately, these astonishing developments in portraiture came to an abrupt end in Lycia when Maussollos of Caria invaded the region circa 360 BC.

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